The Most Beautiful Fraud: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles

The reason boredom deserves such scrutiny is that it represents pure, undiluted time in all its repetitive, redundant, monotonous splendor. Boredom is your window on the properties of time that one tends to ignore to the likely peril of one’s mental equilibrium. It is your window on time’s infinity. Once this …

The Derelict Appendages of Criticism

Nineteen Eighty-Four is not often thought of as a useful text for illumination of the art of criticism, but like all great writers, Orwell contained multitudes of meaning in his writing, leaving great lessons barely concealed for application to whatever subject needed them.  At the book’s very beginning, Winston Smith opens …

Your Hisses Are Wasted On Me

Dear geeks, Congratulations!  It is my understanding that you have taken over mainstream culture recently, and while this has caused consternation in certain quarters, I am the magnanimous sort, and besides, whenever someone says the words “culture war”, my eyes glaze over like a Honey Baked Ham. It has, however, …

You Think You’re So Smart: Culture At Bay

So, there’s this: And there’s nothing inherently wrong with the argument that big dumb summer blockbusters should be held to different critical standards than art films.  The thing is, though, the video short-circuits that argument, calling you a snobby effete hipster jackoff with a funny haircut for daring to equivocate …

Malicknant Tumor

Terence Malick’s new film, Treee of Life, has debuted at Cannes, and as is drearily predictable, it’s already causing waves of controversy.  Booing, walkouts, endless vitriol, critics and viewers exchanging invective — the only difference between this and his other films is that now people are having the arguments on …